Laser interventions in the Nature

Introduction

My work involves repurposing found analogue devices to investigate the connections between light and sound in the form of installations and performances. I repair and modify tools from our past to expose the public to the unique qualities of analogue light beams. By using old tools in a new way I encourage the public to reflect on the impact that technology has on our planet: can the ‘old’ still be useful? what value the ‘new’ really adds? Understanding our relationship with technology is fundamental to solve environmental issues generated by planned obsolescence, optimising recycling/reusability, and avoiding overproduction of redundant devices. On this path, I began thinking how to bring more public attention towards our planet using art as a methodology for activism.

The Project

e//missions is an ongoing project that uses laser light to raise awareness about ecosystems in nature that are at risk due to the climate crisis. The project aims to spark conversations about the unique environmental challenges these specific locations face, while also highlighting the beauty of these ecosystems rather than focusing solely on their destruction. Through this artistic approach, the project seeks to deepen our connection to nature, inspire curiosity, and promote dialogue and awareness around urgent environmental issues.

Inspired by the work of the early land artists (Michael Heizer, Walter de Maria and Robert Smithson), e//missions was born during the home-confinement pandemic period of COVID19, in which many of us felt a sense of isolation and longing for contact with other humans and nature.

I began by exploring my region in the Alps of Italy, shooting laser light onto water streams that are becoming increasingly polluted and scarce. Recently I traveled to project in Bolivia’s unique Uyuni salt desert which is the mining target of several multinationals for the high presence of lithium. Bolivian president Evo Morales already anticipated that Chinese and German companies manifested intention to mine the site for obvious energetic reasons and that would sustain the nation for a long time. Of course this creates a risk of widespread pollution, including the calcination of soil which would put the Salar’s flora and fauna at risk.

Full documentary about the first three e//missions in which I show how the custom hardware system that I developed to reach every location with lightweight transportable gear in a backpack. I can shoot lasers off-grid in the nature for hours while filming. I built my own laser projector to be lighter and more compact than what’s commercially available. I use my own developed software to control it. I’ve been using this technology for the last 10 years.

Project initially commissioned by Aeson Festival and Dobialab.